Theodoret of Cyrus

In his own words on Song of Solomon

• Song of Solomon 1:1

  Let us consider why on earth Solomon the sage called it not Song but "Song of Songs"; after all, the fact that nothing that is the result of the divine Spirit's action is said idly and to no purpose is clear to people of a sober and pious mind. This being the case, the question needs to be asked why the work is called "Song of Songs" and not Song. In fact, we find many songs, psalms, hymns and odes, oral and written, both in blessed David and in the biblical authors before him and after him.…Solomon the sage … composed a song that was not for triumph in battle or for morning prayer but for a wedding.… The Song of Songs … outlines his wedding and depicts his love for the bride. "Bride" is the term he uses of the people who in the above songs have been freed from captivity, have attained their freedom and associated themselves to the king, retaining an indelible memory of his favors, giving evidence of great benevolence and affection for him and constantly attending on him. Then, when the powers on high enquire, "Who is the king of glory?" they long to be with him, unable to bear being separated even for a short space of time from their savior. This is the reason this book is called the Song of Songs, the phrase suggesting that those other songs were composed with a view to this song, and the others lead to this one.… This is the reason, therefore, that the book is called the Song of Songs, in that it teaches us the major forms of God's goodness and reveals to us the innermost recesses and the holiest of holy mysteries of divine loving-kindness.

  COMMENTARY ON THE SONG OF SONGS, PREFACE

• Song of Solomon 1:1

  It is also necessary to say by way of introduction that three works belong to Solomon: Proverbs, Ecclesiastes and the Song of Songs. Proverbs offers those interested moral benefit, while Ecclesiastes comments on the nature of visible realities and thoroughly explains the futility of the present life so that we may learn its transitory character, despise passing realities and long for the future as something lasting. The Song of Songs … brings out the mystical intercourse between the bride and the bridegroom, the result being that the whole of Solomon's work constitutes a kind of ladder with three steps—moral, physical and mystical. That is to say, the person approaching a religious way of life must first purify the mind with good behavior, then strive to discern the futility of impermanent things and the transitory character of what seems pleasant, and then finally take wings and long for the bridegroom, who promises eternal goods. Hence this book is placed third, so the person treading this path comes to perfection.

  COMMENTARY ON THE SONG OF SONGS, PREFACE

• Song of Solomon 1:1

  Some commentators misrepresent the Song of Songs, believe it to be not a spiritual book [and] come up instead with some fanciful stories inferior even to babbling old wives' tales and dare to claim that Solomon the sage wrote it as a factual account of himself and the Pharaoh's daughter.… Those of a more serious frame of mind, on the contrary, gave the name "royal" to the material, and saw the people referred to as the bride and the groom.…My view is that when they read this composition and noticed in it unguents, kisses, thighs, belly, navel, cheeks, eyes, lilies, apples, nard, ointment, myrrh and the like, in their ignorance of the characteristics of the divine Scripture they were unwilling to get beyond the surface, penetrate the veil of the expression, gain entrance in spirit and behold the glory of the Lord with face unveiled. Rather, they gave the text a corporeal interpretation and were drawn into that awful blasphemy.

  COMMENTARY ON THE SONG OF SONGS, PREFACE

• Song of Solomon 1:1

  Let us, therefore, understand the church as the bride, and Christ as the bridegroom, and as the young girls attending the bride souls that are pious and youthful, who have not yet attained the virtue of the bride and been accorded perfection—hence their attending on the bride but not being called brides.

  COMMENTARY ON THE SONG OF SONGS, PREFACE

• Song of Solomon 1:1

  Let us set about the commentary by making this considerable recommendation to those reading it, not to charge us with plagiarism if they find in our commentary something said by the fathers. We admit, in fact, that we have found in them the basis for clear exposition; far from being plagiarism, however, such material is an inheritance from our forebears. Some things that we include we have taken from them, other things we came up with ourselves and added; some things expressed at length by certain commentators we abbreviated, other things requiring further work we developed.

  COMMENTARY ON THE SONG OF SONGS, PREFACE

• Song of Solomon 1:2

  Let no earthbound and materially minded person, however, be abashed at the mention of "kisses." Let them, on the contrary, consider that also at the moment of holy communion we receive the bridegroom's limbs, caress and embrace them, press them to our heart with our eyes, imagine a kind of embrace, believe ourselves to be with him, embrace him, caress him, love driving out fear, in the words of the divine Scripture.…The Song of Songs introduces the bride saying, "Let him kiss me with kisses of his mouth." Now, by "kiss" we understand not the joining of mouths but the communion of pious soul and divine Word. It is like the bride saying something of this kind, I experienced your words in writing, but I long to hear your very voice as well, I wish to receive the sacred teaching directly from your mouth and to caress it with the lips of my mind.

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 1:4

  She is admitted to the inner chamber, the quarters and rooms of the bridegroom, and boastfully says to her own retinue, "The king introduced me into his chamber," that is, he revealed to me his hidden purposes, the plan concealed from ages and generations he made known to me, the treasuries obscure, hidden, and unseen he opened to me, in keeping with the prophecy of Isaiah.

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 1:5

  In the Song of Songs the bride cries aloud, "I am black and beautiful, O daughters of Jerusalem"—"black" in the sense of deceived, besmirched by the stench of wild beasts, and "beautiful" in the sense of awaiting for your arrival from heaven as Lord for the sake of my salvation. He suggested at the same time both the gloom of impiety and the charm given by divine grace.

  COMMENTARY ON PSALM 87:3

• Song of Solomon 1:5

  The bride is saying this no longer to the young girls but to those taking pride in the law, glorying and boasting, and reproaching her not only for her foreign origins but also for her former superstition and the black color coming from it. Hence she says to them, "I am not only black but also beautiful: though once blind, I gained my sight, and though once clad in rags, I am now clothed in a vesture of gold, of a rich variety, enjoying the king's regard. I attend on the king, displacing you for raging against the king, delivering him to death, and defiling the bridal chamber with a series of adulteries. So do not reproach me for my black color, nor bring my former vices to the fore: I am black, I admit, but beautiful and pleasing to the bridegroom.… I too am Ethiopian, then, but the bride of the great lawgiver, daughter of a Midianite priest, an idolatrous man. I forgot my people and my father's house—hence the king desired my beauty.""So do not gaze on me for my being black, because the sun looked at me; you will see me, black though I now am, made white, and you will cry out, 'Who is this who emerges in her whiteness?' I shall tell you also the reason for this blackness: I became black through worshiping creation instead of the Creator, and adoring this visible sun instead of the sun of righteousness. But I saw the difference between the one and the other, and forsook the creature to worship the Creator. So do not gaze on me for being blackened because the sun looked at me—or, as Symmachus says, fastened upon me. In fact, 'I am black and beautiful, daughters of Jerusalem': black as a result of the former impiety, beautiful as a result of repentance; black as a result of unbelief, beautiful as a result of belief. I was as black 'as the tents of Kedar,' which means darkness; I became beautiful 'like Solomon's curtains.' "

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 1:7

  It is logical for the bride to enquire at the time of midday where the bridegroom takes his rest because when the light of knowledge became stronger, heresies developed which, while bearing the name of Christians, were nevertheless devoid of truth. This is the reason she is exercised and anxious to learn the spot where the bridegroom rests the sheep, the risk of falling in with the flocks of so-called companions. It should be understood that just as there were the prophets and the false prophets opposed to them, and likewise apostles and false apostles of an opposite mind, so too false Christs are referred to in the divine Scripture. Hence the Lord also says, "Many false prophets will rise up and will lead many people astray." And blessed Paul was in the habit of speaking not only of false brethren but also of false apostles—hence his remark, "For such people are false apostles." The bride begs not to fall in with these people since they give the appearance of shepherds and likewise seem to have flocks and herds. Of such kind are the people who hold the views of Arius, Eunomius, Marcion, Valentinus, Mani and Montanus. While invested with a Christian appearance and name, building churches, reading divine Scriptures to sheep led astray, wrongly tending their followers and thought to be companions of the bridegroom, they are instead pernicious schemers, providing the sheep with poison instead of nourishing draughts.

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 1:9

  Here in figurative fashion he referred by "Pharaoh" to the implacable foe of our nature, the noxious enemy common to us all whom he drowned in the holy waters of baptism like Pharaoh. My mare, then, which I used when I overwhelmed Pharaoh's chariots, I judge you to resemble since you are close to me and have love for me.… So from the apostolic words we understand the mystical words of the Song, and hear the bridegroom saying, I declare that you, being close to me, and hence called an intimate, getting the name from the fact, are like my mare, which I used when drowning the spiritual Pharaoh with his chariots, and I granted you freedom.

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 1:10

  "How beautifully made your cheeks, like those of a turtledove." Zoologists claim that the turtledove not only likes solitude but is also not promiscuous, the male mating with one female, and the female associating with one male, and at the death of its mate it refrains from mating with another bird. Appropriately, then, he says the church in its relationship to Christ is like her, shunning relations with others, and reluctant after his death to abandon him, awaiting instead the resurrection and looking forward to his second coming. He also says her neck is like a necklace; this is a choker, a kind of ornament beautifying the neck. He is commending her for nicely carrying the yoke of religion, of which the bridegroom says in the Gospels, "Take my yoke upon you, for my yoke is easy and my burden light."

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 1:11-12

  Logically they said "golden ornaments" and not gold itself, since the bridegroom's presents are greater, and his servants' do not have equal splendor. Hence we show the divine Gospels greater respect, though we also respect the law and the prophets and the writings of the holy apostles.

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 1:13-14

  "It will lodge between my breasts," that is, in the governing part of my soul, which is located in the heart lying between the breasts. This indicates the fulfillment of the prophecy spoken by God, "I shall dwell and walk about among them, and I shall be their God and they shall be my people, says the Lord almighty." The bridegroom in person also makes the promise, "We shall come, my Father and I, and shall make our abode with him."

  COMMENTARY ON THE SONG OF SONGS 1

• Song of Solomon 2:1

  I was "a flower of the countryside," that is, I assumed an earthly body and sprang from the earth, being eternal and exalted or, rather, immeasurable. I became "a lily" not of mountains or hills, or simply of the countryside, but of "valleys": I brought not only the good news of salvation to the living but also resurrection to the dead, descending to the lower parts of the earth to fill everything. This is the reason he calls himself "a flower of the countryside, a lily of the valleys," that is, the dead: to them he both promised and brought into effect a return to life.

  COMMENTARY ON THE SONG OF SONGS 2

• Song of Solomon 2:6

  "His left hand under my head, and his right hand will embrace me." Let us be careful once more, however, not to get involved in corporeal ideas on hearing "left hand" and "right hand." Solomon, in fact, speaks of wisdom, which is a habit and not substance: "Length of life and years of existence are in her right hand, and in her left wealth and glory." Likewise regarding the "embrace" you can find in the Proverbs the saying, "Love her, and she will keep you safe; ring her about with a rampart, and she will exalt you; honor her, and she will embrace you." Let us take occasion from this, then, to understand the references spiritually, believing the so-called embrace to be a communion between the divine Word and the pious soul, and the "right and left hands" should be understood in the way taken by us. So as not to leave its deeper meaning undiscerned, however, let us interpret it this way: God is in the habit of bestowing both beneficence and punishment, distributing both to those who deserve them. Let us accordingly understand beneficent grace in the case of the right hand, and punishment in the case of the left, and thus listen to the bride saying, "His left hand under my head," that is, "I am beyond punishments, I am not subject to them, on account of my closeness to the bridegroom and my attention to his service"; and "His right hand will embrace me," that is, "He will regale me with his beneficence and fill me with it as though enfolding and embracing me, and satisfying my desire."

  COMMENTARY ON THE SONG OF SONGS 2

• Song of Solomon 2:7

  "I adjure you, daughters of Jerusalem, by the powers and forces of the field to stir up and awaken love for as long as he wishes," that is, "Do not allow love for God in us to slumber: stir it up and inflame it, and pour the memory of kindnesses like oil on it lest it be said of us also, 'They fell into a deep sleep, and found nothing.' " In other words, if you do not proclaim day in day out his salvation and recall the marvels he worked, and instead you forget his kindnesses, love will be extinguished and die, as it were. We must, on the contrary, continually rekindle it, stir it up and lift the flame itself on high.

  COMMENTARY ON THE SONG OF SONGS 2

• Song of Solomon 2:10-14

  It makes sense, therefore, for the bridegroom to call the bride, mature in virtue as she is, "dove," that is, spiritual and filled with the Holy Spirit.…The bridegroom encourages and consoles his church in its struggle with trials, "peeps through the windows and looks in through the netting," and urges her to stand fast and to fly to him.… He is saying, if you rest in the middle of the two Testaments and draw benefit from both, you will find there the manifold gifts of the Spirit. The bride, accordingly, by accepting the spiritual exhortation and lying between the lots, found the wings coated in silver through which she was bidden fly up to the bridegroom.

  COMMENTARY ON THE SONG OF SONGS 2

• Song of Solomon 2:15

  "Catch us little foxes that demolish vineyards." Some commentators actually applied "little" to the "vineyards"; but the sense is no different in either case. By "foxes" he refers to those with a deceitful attitude who harm the Lord's churches that are just beginning to flourish—hence his saying "our vines blossom." By "foxes" he is hinting at the heretics warring against people in the church and endeavoring furtively and deceitfully to steal away those not yet made firm in the faith. By persuasiveness in word and by the snares and intricacies of argumentation they lead astray those of simpler disposition and damage the vines. For this reason he bids those exercising the teaching role to hunt them down and ensnare them with the arguments of the truth and rid the blossoming vines of this damage.

  COMMENTARY ON THE SONG OF SONGS 2

• Song of Solomon 2:16

  They who are blessed by the boons of God and have learned to know these passages and others like them, kindled with warm love for their bountiful Master, constantly carry on their lips this his dearest name and cry in the words of the Song of Songs, "My beloved is mine, and I am his."

  LETTER 146

• Song of Solomon 3:1-4

  She says she found him and did not let him go before bringing him into her mother's house and the inner chamber of the one who conceived her. By "city" she refers to the house of God, which we call church, by "marketplaces" and "streets" the divine Scriptures, by the city's "watchmen" the holy prophets and the sacred apostles, from whom the pious soul learns in its longing for the divine Word. After these she finds the bridegroom attended by guards and attendants, she lays hold of him, clings to him and is reluctant to leave him before she brings him into her mother's house and the inner chamber of the one who conceived her. Now, we recognize the mother of the pious as the Jerusalem on high, of whom blessed Paul says, "The Jerusalem on high is free in being mother of us all."

  COMMENTARY ON THE SONG OF SONGS 3

• Song of Solomon 3:1-4

  Since the bridegroom is incomprehensible in his being even to the holy angels, and hence they did not give me an answer to my question, teaching me by their silence that he is incomprehensible even to them, the uncreated to created beings, I left them as well, still searching for my beloved."It was not long after passing them that I found him whom my soul loved. I laid hold of him." I had scarcely bypassed the creature to reach the angelic nature itself in an effort to find my uncreated beloved, my benefactor as he is, when by faith alone I came upon him, bypassing all beings and with the confirmation from experience itself that the one responsible for everything is above all beings and in his being is seen by no nature, of the senses or the intellect, being superior to them in substance.

  COMMENTARY ON THE SONG OF SONGS 3

• Song of Solomon 3:6-7

  We must enquire why on earth they call the bridegroom Solomon. Solomon means "peaceable," as you can find in the Chronicles. God said to David, when he wanted to build the new temple, "Lo, a son is born to you; he will be a man of repose, and I shall give him peace from all his enemies round about, because his name is Solomon, and I shall give peace and tranquility to Israel in his days. He will build a house for my name, and he will be a son to me, and I shall be a father to him, and I shall assure the throne of his kingdom in Israel forever." …It was not Solomon who had dominion to the ends of the world but he who sprang from Solomon in his humanity, Jesus Christ, and was called Solomon on account of his peaceable and gentle nature and his being the cause of peace.

  COMMENTARY ON THE SONG OF SONGS 3

• Song of Solomon 3:6-7

  "Lo, it is Solomon's bed." Let us understand the bridegroom's bed to be the divine Scriptures. When the bride reclines on them, as it were, along with the bridegroom, and receives the seeds of teaching, she conceives, bears, is in labor and gives birth to spiritual benefit.

  COMMENTARY ON THE SONG OF SONGS 3

• Song of Solomon 4:7-8

  We require prayer, in fact—attentive and earnest prayer—for our eyes to become like doves with the gift of spiritual sight, getting beyond the veil of the letter and distinguishing clearly the hidden mysteries. It is not possible by any other way, you see, to come to know the meaning of the divine Scripture, especially the Song of Songs, than having the very one who inspired those composers illuminate our vision by sending rays of grace and give a glimpse of the hidden sense.

  COMMENTARY ON THE SONG OF SONGS 4

• Song of Solomon 4:11

  "Your lips distill a honeycomb, bride; honey and milk are under your tongue." Here it refers to the teachers of the church, offering religious teaching and, as it were, carrying honeycomb of bees on its lips, and distilling drops of honey, containing not only honey but also milk, and providing to each the appropriate nourishment, both suited to the infants and adapted to the mature. Now, honeycombs borne on the lips of the teachers are the divine Scriptures, which contain bees that make honeycombs and produce honey, the sacred prophets and apostles. These latter fly about the meadows of the Holy Spirit, as it were constructing the honeycombs of the divine Scriptures, filling them with the honey of doctrine and dispatching them to us for our benefit. The letter resembles the honeycomb, while the sense hidden in it resembles the honey; the lips of pious teachers release the drops of this honey. Also, milk flowing from their tongue reaches those in need of milk.

  COMMENTARY ON THE SONG OF SONGS 4

• Song of Solomon 4:11

  "Fragrance of your garments like the fragrance of frankincense." We said before that the bridegroom himself became her garment, and blessed Paul confirms it in the words, "All of you who were baptized into Christ put on Christ." Now, the bridegroom is both God eternal and was born a man from the holy Virgin in the last days. While remaining what he was, he took as well what is ours, and clothed the bride who was formerly left naked—hence his saying to her, "fragrance of your garments like the fragrance of frankincense." She is clothed with Christ, who is both God and man. Now, "frankincense" is a symbol of the true doctrine of God, since under the norms of the old law it was offered to God.

  COMMENTARY ON THE SONG OF SONGS 4

• Song of Solomon 4:12

  He calls her "a garden," not as though bearing a single fruit of piety and virtue, but as one producing many and varied fruits; and "locked" as though sealed off and proof against intrigue.… She is also "a fountain sealed." She is not available to everyone but to those thought worthy of these streams; the Lord in the sacred Gospels also says of this fountain, "Whoever drinks of the water I shall give will not thirst forever, and instead there will be in them a spring of living water gushing up to life eternal." Properly, then, he refers to her as "a fountain sealed" for not being available to everyone but to those thought worthy. The divine sacraments, after all, are available not to the uninitiated but to the initiated, not to those wallowing in iniquity after initiation but to those living an exact life or purified through repentance.

  COMMENTARY ON THE SONG OF SONGS 4

• Song of Solomon 4:13

  "Pomegranate" is to be taken figuratively as love, since countless seeds are contained together within the one skin, pressed together without squeezing or ruining one another, remaining fresh unless one of the seeds in the middle goes bad. You can also gain a different insight from the sections in the middle: we see many ranks also among the saved, one of virgins, one of ascetics, one of those drawing the yoke of marriage, and of the affluent, one of those living a life of poverty, one of slaves in love with godliness, one of masters exercising lordship lawfully. The pomegranate, too, then, has walled off compartments, as it were, separating its seeds into certain divisions. This is the reason he compares the presents of the bride to "an orchard of pomegranates."

  COMMENTARY ON THE SONG OF SONGS 4

• Song of Solomon 4:15

  [This garden] also contains "a spring" and "a well of water alive and babbling from Lebanon." It contains not only the gospel teaching that flows openly but also the "well" of the law, which is "a well of water alive" that also holds hidden streams that babble, emit a sound and flow from Lebanon. The way of life according to the law blossomed in Jerusalem, which is figuratively called Lebanon, but this well changed direction toward the Lord's bride, the church, and though hidden, it flows with a babble and irrigates the orchard of the church.

  COMMENTARY ON THE SONG OF SONGS 4

• Song of Solomon 5:10

  The bride instructs the young women who had enquired as to the features of the bridegroom, saying, "My nephew is white and ruddy," mentioning "white" first and "ruddy" second. He was always God, but he became man as well, not by abandoning what he was or being turned into a man but by putting on a human nature. So he is "white" as God: what could be whiter than light? Now, he is the true light, according to the Gospel saying, "He was the true light, which enlightens every person coming into the world."He is not only "white," however, but also "ruddy." After all, he is not only God but also man. Now, the term ruddy suggests earthly; hence also in Isaiah the divine powers, on seeing him ascending from earth to heaven, pose the question, "Who is this coming from Edom, the red of his garments from Bozrah? He is charming in his vesture, overpowering in his strength."

  COMMENTARY ON THE SONG OF SONGS 5

• Song of Solomon 5:12

  "His eyes like doves on pools of water," once again here by mention of the "eyes" admiring his keen sight. Hence her saying they are like doves "on pools of water" reminds us of the dove coming down on him in the Jordan. … Hence the bride says, "His eyes like doves on pools of water": his eyes are constantly upon the source of baptism, awaiting those being saved and longing for the salvation of everyone.

  COMMENTARY ON THE SONG OF SONGS 5

• Song of Solomon 5:15

  "His form is like choice incense, like cedars." Here again she makes reference to the fact of two natures, calling the divine nature "incense" since by the law incense was offered to God, and by "cedar" referring to the human nature in its not being affected by the rottenness of sin, the cedar of all trees not going rotten.

  COMMENTARY ON THE SONG OF SONGS 5

• Song of Solomon 6:5

  "Turn your eyes away from me because they set me all aflutter." What he means is something like this: the beauty of your eyes, the sharpness of your vision and the clarity of your thinking have drawn me to love of you; but do not gaze at me immoderately lest I take harm from it. After all, I am inaccessible and incomprehensible, surpassing all comprehension, not only human but also angelic. Even if you wish to surpass limits and pry into what is beyond your power, you would not only find nothing but would also impair your sight and render it dull. Such is the nature of light, after all: as it illumines the eye, so it penalizes intemperance with damage.

  COMMENTARY ON THE SONG OF SONGS 6

• Song of Solomon 6:8

  Let us examine why on earth he mentioned "sixty queens" but "eighty concubines." The number sixty contains six tens, and while the ten signifies perfection, the six represents the number of the world's creation: in six days the God of all formed the whole creation. Accordingly, by "sixty queens" he referred to the souls in this world who were made perfect in virtue and who longed for the kingdom. The bride lives a way of life above this world, she is outside it, flies beyond it, is totally the bridegroom's and has him constantly in mind, whereas these latter souls live in this world and practice the perfection of virtue to the extent possible while longing to attain the kingdom. But it is through fear that they obey the laws, and so they were called "eighty." The divine Scripture, remember, speaks of the time of judgment as the eighth. In describing judgment in the Psalms, blessed David used the title "On the eighth" and began this way, "Lord, do not censure me in your anger, nor chastise me in your wrath," and shortly after, "Because in death there is no one to remember you, in hades who will confess you?" Thus [he brings] out that at the time of judgment no place for repentance will be given to those who have sinned and have not had a change of heart.

  COMMENTARY ON THE SONG OF SONGS 6

• Song of Solomon 6:10

  "As beautiful as the special moon." The experts in these matters say the moon gets its light from the sun's rays and gets partial light when a small part of it faces the sun. When it is directly opposite and is in full view of the sun, it is completely lit up as though reflecting its face like a kind of mirror and leaving no part of its bulk unlit. The church of Christ likewise, therefore, the congregation of the souls made perfect in virtue, "with unveiled face seeing the glory of the Lord as though reflected in a mirror," in the words of blessed Paul, "is being transformed into the same image from one degree of glory to another, as a work of the Lord, the Spirit." And it becomes so completely luminous as to resemble a moon, and a "special moon," that is, full moon.

  COMMENTARY ON THE SONG OF SONGS 6

• Song of Solomon 6:10

  The bride, however, is not only "like a special moon," but also she will shine in the future life "like a sun," astounding all with its brightness. They will marvel not only at her light but also at her orderliness. There is nothing disordered about the Lord's bride, nothing undetermined; she gives practical directions like a kind of plumb line, and regulates her own life by use of norm and rule.

  COMMENTARY ON THE SONG OF SONGS 6

• Song of Solomon 6:11

  By "nut plantation" they refer to the present life, which is harsh, troublesome and laborious but contains hidden in itself the fruit of virtue. The fruit of the nut has a bitter skin on the outside, the second one is tough and resistant, and the edible part is hidden as though deposited in a kind of inner chamber and is not extracted without effort. Such also is the present life, containing as it does harsh pain and grief, containing hardship and effort which, however, are not fruitless, not useless, holding the fruit hidden within them. Hence blessed Paul also says, "Our life is hidden with Christ in God; but when Christ our life is revealed, then we too shall live in him."

  COMMENTARY ON THE SONG OF SONGS 6

• Song of Solomon 6:13

  Just as the work calls Solomon—our Lord, in other words—"peaceable," so too it calls his bride "peacemaker" for attaining peace from him and being freed from the former conflict. The bridegroom's attendants, then, on seeing her driven from the chariot and under attack, comfort her in the words, "Return," peacemaker, "return, return, and we shall look upon you." That is to say, "Do not be afraid of your pursuers but hold fast the doctrine, proclaim the message of the doctrine, have no fear of the chariot, do not be afraid of war, called peacemaker as you are. In fact, if you persist in your preaching, we shall see your kingdom."

  COMMENTARY ON THE SONG OF SONGS 6

• Song of Solomon 7:5

  "The hair of your head like purple, a king caught in its tresses." Your hair was previously loose and hence was compared with the flocks of goats emerging in Gilead, whereas now it is caught up, and not only caught up but also wondrously dyed, resembling a king clad in purple and hastening in all directions. By the comparison of her fastened hair to royal purple he refers to the teaching proposed in orderly fashion and colored with the blood of Christ. A king clad in purple is not so resplendent as the teacher of religion who carefully composes the proclamation of the knowledge of God and offers it to the devotees of truth.

  COMMENTARY ON THE SONG OF SONGS 7

• Song of Solomon 8:2

  "I shall lead you into my mother's house and into the chamber of the one who conceived me." Now, what is the house of the all-holy Spirit (of whom the bride was born, after all) if not the divine temple, which resembles the Jerusalem on high, where they enter to speak with the bridegroom, having received the status of bride? And there, she says, "I shall give you some spiced wine to drink and some juice from my pomegranates," by "spiced wine" referring to the teaching redolent of divine grace, as it were spiced and proving to be fragrant. By "juice of pomegranates" she refers to the benefit deriving from the fruits of love.

  COMMENTARY ON THE SONG OF SONGS 8

• Song of Solomon 8:5

  "Who is this coming up all covered in white, leaning on her nephew?" They do not say "white" but "all covered in white," being black, remember. While the bride said of the bridegroom, "My nephew is white," and did not say "covered in white," being such by nature, she on the contrary was covered in black (the sun looked on her, remember) and is now covered in white and shares the bridegroom's whiteness. And just as being the light he both made her light and called her so, and being holy he made her holy, and becoming resurrection he accorded her resurrection, so he also gave her a share in his own peculiar whiteness. Hence on seeing her, the young women say, "Who is this coming up all covered in white, leaning on her nephew?" Guided by him and as it were led hand in hand, she makes her ascent into heaven and her departure to her beloved through her firm belief in him.

  COMMENTARY ON THE SONG OF SONGS 8

• Song of Solomon 8:6

  Possess "ardor" as well: if you were to acquire it, you would allow no one else to have more importance in your eyes, or yourself to be apathetic, but only her to enjoy your intimacy. "Ardor is harsh," note, and difficult to overcome, like hades (drawing the name hades from common usage, and applying it also to death). But love is so strong because first of all it has wings, and around its wings it has a fiery flame and emits sparks. What could be more powerful than this when enkindled, especially since its fire is of the kind that is unquenchable?

  COMMENTARY ON THE SONG OF SONGS 8

• Song of Solomon 8:7

  "If a man gives his whole life for love, they will utterly despise him." Those bereft and devoid of love will despise the one giving his life for love; hence blessed Paul also said, "When reviled we bless, when persecuted we put up with it, when blasphemed we are encouraging, we have become the world's refuse, as it were, everyone's off-scouring to this day." This happens, in fact, to people who are dizzy: though they cannot stand up straight, they think everything else is spinning around; similarly also people bereft of love blaspheme the devotees of love as stupid and foolish. Far from undermining love, however, this even rendered it more ardent. When reviled the apostles gave blessings, when blasphemed they were encouraging, and on becoming the world's refuse, as it were, they claimed to be everyone's off-scouring to this day.

  COMMENTARY ON THE SONG OF SONGS 8

• Song of Solomon 8:8

  It is the holy authors who were celebrated in the Old Testament who see the bride's spiritual youth and the immaturity and inconspicuous condition of her breasts. In their capacity as go-betweens and marriage brokers [they] say among themselves, "The king is now on the point of taking our sister as his bride, but she is small and without breasts. She is not yet fertile, nor can she provide the milk of instruction or offer developed nourishment to the needy. So we must give thought to what is to be done. Since she is about to be related to the great king and be like a wall of his house, watching and guarding what is within, and being like a door that protects the contents, let us build as if on a wall 'silver parapets.' " That is,[the parapets are] arguments splendid for their reasoning, the Lord's sayings, after all, being "pure sayings, silver tried in the fire, tested in the earth." "So … from her position on them she may fire at the enemy and hunt down the schemers. Let us place on her as on a door tablets made of cedar that incur no decay from sin, cedar being incorruptible."

  COMMENTARY ON THE SONG OF SONGS 8